ARTG 100  (3)  Visual Design Primer

A sampler to introduce students to the elements and principles of design, composition, aesthetics, colour, type, layout and design history. Of interest to students preparing portfolios for admission to Graphics, Interior Design, or Visual Arts programs, ITAS students, international students, or the general public. Supplies purchase required. (2:1:0)

Prerequisite: Min. "C" in English 12. Some artistic ability and a genuine interest in art and design recommended.

ARTG 110  (3)  Theory I: Design Process

A focus on the design process to assist creative development in Graphics program students. Topics include computer fundamentals, time and idea management, and creative thinking skills. ARTG 110 was formerly called ARTG 125T, ARTG 125; credit will not be granted for both courses. (2:1:0)

Prerequisite: Admission to B.A. Major in Graphic Design or permission of Department Chair.

Co-requisites: ENGL 115 and ARTG 111; or permission of Department Chair.

ARTG 111  (3)  Design History

A historical survey of art and design history from prehistoric to post-modern. A study of the historical chronology and styles of art, architecture, design, and graphic design in context with lectures, projects, and historical applications of graphic design. (2:1:0)

Prerequisite: Admission to B.A. Major in Graphic Design or permission of Department Chair.

Co-requisites: ENGL 115 and ARTG 110; or permission of Department Chair.

ARTG 120  (3)  Graphic Design Principles

A study of two-dimensional graphic design concepts, emphasizing the principles and elements of applied design, and the conception, visual interpretation, and expression of ideas. ARTG 120 was formerly called ARTG 122T, ARTG 122; credit will not be granted for both courses. (2:1:0)

Prerequisite: Admission to B.A. Major in Graphic Design or permission of Department Chair.

ARTG 121  (3)  Colour Theory

An introduction to the physical properties, psychological effects, language, and theories of colour. Students will explore how colour works through the application of various colour media. Provides the necessary foundation for illustration and graphic design courses. ARTG 121 was formerly called ARTG 119; credit will not be granted for both courses. (2:1:0)

Prerequisite: Admission to B.A. Major in Graphic Design or permission of Department Chair.

ARTG 124  (3)  Computer Imagery I

A hands-on introduction to the Mac OS and to Vector software. Topics include drawing, colour, tracing, transformations, type, patterns, symbols, layers, file management, trouble-shooting, and the creation of imagery for graphic design projects and practical exercises. Credit will only be granted for one of ARTG 236 or ARTG 124. (2:1:0)

Prerequisite: Admission to Applied Graphics program.

ARTG 125  (3)  Design: Approach and Management

A focus on the design process to assist creative development in Graphics program students. Includes computer fundamentals, time/idea management and creative thinking skills. (1:2:0)

Prerequisite: Admission to Applied Graphics program.

ARTG 130  (3)  Page Layout Software

A study of the principles of page layout design and digital document construction utilizing traditional and contemporary design processes and current page layout applications. Students will design and create a variety of document structures exploring digital design principles through thumbnails, roughs, comps, to final pre-press file construction. (1:1:1)

Prerequisite: Permission of the department.

ARTG 140  (3)  Illustration I

An investigation of the drawing process. Begins with line drawing following through to more complex knowledge, skills, and mediums. Emphasis on concept development and expression and all design elements involved in effective composition are included, as are diagrammatic, one, and two point perspective imaging techniques. ARTG 140 was formerly called ARTG 140T, ARTG 240T, ARTG 240; credit will not be granted for both courses. (2:1:0)

Prerequisite: Admission to B.A. Major in Graphic Design or permission of Department Chair.

ARTG 150  (3)  Typography I

An introduction to the role of typography in graphic design. Topics such as fonts, measurements, systems, kerning, readability, hierarchy, communication, and expression will be explored in lectures, projects, and exercises. ARTG 150 was formerly called ARTG 215; credit will not be granted for both courses. (2:1:0)

Prerequisite: Admission to B.A. Major in Graphic Design or permission of Department Chair.

ARTG 160  (3)  Design Photography I

An introduction to the fundamental, technical, and aesthetic considerations involved in producing photographic images and prints, with emphases on digital camera operation, image capture, and acquisition. The basics of file management, image editing, digital output, and lighting techniques will be explored. ARTG 160 was formerly called ARTG 164; credit will not be granted for both courses. (2:1:0)

Prerequisite: Admission to the B.A. Major in Graphic Design or permission of Department Chair.

ARTG 226  (3)  Computer Imagery III

A continuation of ARTG 225. A focus on computers for illustration and the development of a personal computer graphics portfolio. Adobe Illustrator, Quarkxpress and Adobe Photoshop will be further explored. (2:1:0)

Prerequisite: ARTG 124, ARTG 225, and full-time status in Applied Graphics program.

ARTG 232  (3)  Graphics Presentation

An integration of typography, graphic design and illustration through thumbnails, roughs and finished comprehensive mock-ups as required for assignments. (2:1:0)

Prerequisite: Completion of first year of Applied Graphics program.

ARTG 236  (3)  Computer Imagery I

A hands-on introduction to vector software on the Macintosh. Topics include drawing, colour, tracing, transformations, type, patterns, symbols, layers, file management, trouble-shooting, and the creation of imagery for graphic design projects and practical exercises. ARTG 236 was formerly called ARTG 124; credit will not be granted for both courses. (2:1:0)

Prerequisite: Second-year standing in B.A. Major in Graphic Design; or DIGI 110 and ARTG 130; or permission of Department Chair.

ARTG 237  (3)  Computer Imagery II

An exploration of creation and manipulation of digital imagery and design using digital imaging software. Students will, through in-class tasks and out-of-class projects, complete a portfolio that demonstrates their knowledge of software techniques studied and their application to creative conceptual imagery. ARTG 237 was formerly called ARTG 225; credit will not be granted for both courses. (2:1:0)

Prerequisite: Second-year standing in B.A. Major in Graphic Design; or DIGI 110 and ARTG 130; or permission of Department Chair.

ARTG 241  (3)  Illustration II

An exploration of the fundamentals of perception and semiotics as applied to illustration as both information and commentary. Assignments utilize the fundamental design elements within composition and concept development as part of the visual communication process. ARTG 241 was formerly called ARTG 141, ARTG 141T, ARTG 241T; credit will not be granted for both courses. (2:1:0)

Prerequisite: Second-year standing in B.A. Major in Graphic Design; or ARTG 140; or permission of Department Chair.

ARTG 251  (3)  Typography II

A continuation of Typography I with a study of more in-depth typographical topics, research and applications of design, and communication principles to more advanced, contemporary typographical design and communication problems. Topics include experimental typography, document formatting, and complex document structures. (2:1:0)

Prerequisite: Second-year standing in B.A. Major in Graphic Design; or DIGI 110, ARTG 130, and ARTG 150; or permission of Department Chair.

ARTG 261  (3)  Design Photography II

An expanded exploration of technical and aesthetic considerations involved in producing digital photographic images for graphic design. Improvement of technical proficiency with an emphasis on conceptual, communicative, and creative concerns. Other photographic media and techniques may be explored. ARTG 261 was formerly called ARTG 165T, ARTG 165; credit will not be granted for both courses. (2:1:0)

Prerequisite: Second-year standing in B.A. Major in Graphic Design or permission of Department Chair.

ARTG 270  (3)  Design Production

A study of design production process and its relevance and application to preparation of artwork for print and digital outcomes. All relevant aspects of contemporary printing processes, file management, and preparation will be studied and applied to design projects. ARTG 270 was formerly called ARTG 231; credit will not be granted for both courses. (2:1:0)

Prerequisite: Second-year standing in B.A. Major in Graphic Design; or DIGI 110 or ARTG 130; or permission of Department Chair.

ARTG 342  (3)  Advanced Illustration

A continuation of the in-depth exploration begun in ARTG 241 of illustration as information and comment through composition, concept development and style as part of the visual communication process. (2:1:0)

Prerequisite: Third-year standing in B.A. Major in Graphic Design or permission of Department Chair.

ARTG 343  (3)  Visual Narrative Communication Design

An in-depth exploration of the research, planning, conceptualization, and illustration process necessary to storyboarding digital animation and other sequential and/or interactive visual narrative storytelling. (2:1:0)

Prerequisite: Third-year standing in B.A. Major in Graphic Design or permission of Department Chair.

ARTG 344  (3)  Photo Illustration

An exploration of the communicative application of photo illustration in the graphic environment. A variety of photo-illustrative techniques and applications used in producing art for reproduction and publication are investigated. Particular emphasis is given to natural and studio lighting. ARTG 344 was formerly called ARTG 242, ARTG 242T; credit will not be granted for both courses. (2:1:0)

Prerequisite: Third-year standing in B.A. Major in Graphic Design or permission of Department Chair.

ARTG 371  (3)  Package Design

An exploration of the application of design and communication principles to package design and communication problems. Topics include package design process, market and consumer analysis, materials, and packaging industry. ARTG 371 was formerly called ARTG 221T, ARTG 221; credit will not be granted for both courses. (2:1:0)

Prerequisite: Third-year standing in B.A. Major in Graphic Design or permission of Department Chair.

ARTG 372  (3)  Graphic Design for Publishing

An examination of application of design, communication principles, and skills to the publishing industry. Students will explore the publication, newspaper, book, magazine, and/or annual report industries and apply research, design, and digital production skills to publication design. ARTG 372 was formerly called ARTG 234T, ARTG 234; credit will not be granted for both courses. (2:1:0)

Prerequisite: Third-year standing in B.A. Major in Graphic Design or permission of Department Chair.

ARTG 373  (3)  Interface Communication Design

A study and practice of the design principles used to create interface design for print and digital systems. Topics include system visibility, metaphor, user controls and freedoms, standards, navigation and the design aesthetics, and communication functions of design. (2:1:0)

Prerequisite: Third-year standing in B.A. Major in Graphic Design or permission of Department Chair.

ARTG 374  (3)  Environmental Design

An investigation of three-dimensional signage, exhibition, and display communication design. Topics and projects include conceptual development, follow through hands-on production of signage, display and trade show working drawings, and 3D models. ARTG 374 was formerly called ARTG 103T, ARTG 103; credit will not be granted for both courses. (2:1:0)

Prerequisite: Third-year standing in B.A. Major in Graphic Design or permission of Department Chair.

ARTG 412  (3)  Theory II: Information Design

An examination of information design theory, research, and practice. Topics include information design research, communication theory, semiotics and visual rhetoric, visualization of abstract data and concepts, human information processing, text structures, visual charts, illustrations and graphs, information design and research, and contexts for functional communication. (2:1:0)

Prerequisite: Fourth-year standing in B.A. Major in Graphic Design or permission of Department Chair.

ARTG 475  (3)  Graphic Design for Business

An investigation of corporate identity graphics utilized in advertising and marketing to communicate goods and services offered. Topics and projects include conceptual logo development, hands-on design application to business cards, letterheads and envelopes, and signage. ARTG 475 was formerly called ARTG 233T, ARTG 233; credit will not be granted for both courses. (2:1:0)

Prerequisite: Fourth-year standing in B.A. Major in Graphic Design or permission of Department Chair.

ARTG 476  (3)  Graphic Design for Marketing

An investigation of the in-house studio practices and applications of an advertising and graphic design agency. Topics and projects include conceptual and hands-on production of print advertising, brochures, direct mail marketing, and outdoor advertising. ARTG 476 was formerly called ARTG 235T, ARTG 235; credit will not be granted for both courses. (2:1:0)

Prerequisite: Fourth-year standing in B.A. Major in Graphic Design or permission of Department Chair.

ARTG 477  (3)  Graphic Design Practice

An examination of the knowledge and skills required to prepare for graphic design studio, agency, or freelance business practise. Topics include legal issues, forms, portfolio preparation, taxation, estimating, specifications, design briefs and proposals, project management, and working with clients, employers, and service providers. (2:1:0)

Prerequisite: Fourth-year standing in B.A. Major in Graphic Design or permission of Department Chair.

ARTG 480  (3)  Final Project

A detailed study of a communication problem resulting in a final project involving complex multi-part graphic design, illustration and design process management, designed with the specific goals and needs of each individual fourth year student. (0:3:0)

Prerequisite: Fourth-year standing in B.A. Major in Graphic Design or permission of Department Chair.

ARTI 100  (3)  Applied Design Primer

An overview to introduce students to the elements and principles of design, composition, aesthetics, colour, type, layout, and design history giving students the opportunity to understand a vocabulary of design. In addition students will acquire a critical awareness of the influence of design in our society. Credit will only be granted for one of ARTG 100 or ARTI 100. (2:1:0)

Prerequisite: Min. "C" in English 12. Some artistic ability and a genuine interest in art and design is recommended.

ARTI 105  (3)  Applied Drafting I

An investigation of basic fundamentals of hand drafting including orthographic projection, dimensioning, and line weight standards. Topics include drafting of a piece of furniture or millwork, presentation style drafting, and working drawing style drafting of residential floor plans and interior elevations. (2:1:0)

Prerequisite: Admission to the Bachelor of Interior Design.

ARTI 107  (3)  CAD for Interior Designers

An introduction to computer-aided design, using Vectorworks for MacIntosh or PC. Topics include 2D tool pallette, object information, resources and command box windows, dimensioning tool, scale, layers, line weight and symbols, as well as file management, printing and plotting methods. Students must be able to demonstrate proficiency in producing both "presentation" and "technical" styles of drawings. (1:2:0)

Prerequisite: ARTI 105.

ARTI 128  (3)  Design Process

A study of the design and creative process as applied to interior design using both hypothetical and real situations. Topics include research, human factors, evaluation and analysis, user characteristics, functional and space requirements, client philosophy and objectives. Time management and concept development will be major themes. ARTI 128 was formerly called ARTI 125; credit will not be granted for both courses. (2:1:0)

Prerequisite: Admission to the Bachelor of Interior Design.

ARTI 130  (3)  Interior Design: An Introduction

An introduction to the profession including a basic overview of interior design business practices and project organization from programming through contract administration. Includes application to residential, retail, hospitality, and office design. Field trips featured. Emphasis on problem solving skills to create original solutions. ARTI 130 was formerly called ARTI 123; credit will not be granted for both courses. (2:1:0)

Prerequisite: Admission to the Bachelor of Interior Design.

ARTI 132  (3)  Interior Design Materials

A study of materials used in the built environment including floors, walls, ceilings, windows and window treatments, doors, millwork, cabinetry and their characteristics, use, and application. Lighting will also be discussed. Special attention will be given to the interface between materials. Quantity take-offs and budget implications will be discussed. ARTI 132 was formerly called ARTI 124; credit will not be granted for both courses. (2:1:0)

Prerequisite: Admission to the Bachelor of Interior Design.

ARTI 134  (3)  Illustration and Communication I

A broad overview of illustration for interior design. Topics include sketching, paraline, and one- and two-point perspective techniques. Students develop strong concept development and presentation skills relative to specific interior design projects. Emphasis will be on context and illustration of visual elements using a variety of media and materials. ARTI 134 was formerly called ARTI 153; credit will not be granted for both courses. (1:2:0)

Prerequisite: Admission to the Bachelor of Interior Design.

ARTI 205  (3)  Interior Design Detailing I

A detailed study of the architectural components of the interior environment. Preparation of basic working drawings and a variety of details for columns, pilasters, casings, mouldings, fireplaces, and cabinetry. Projects will link to specific interior design problems explored in ARTI 232. CAD will be utilized for all work. ARTI 205 was formerly called ARTI 207; credit will not be granted for both courses. (2:1:0)

Prerequisite: Second-year standing in the Bachelor of Interior Design.

Co-requisites: ARTI 232.

ARTI 221  (3)  Three-Dimensional Design Issues

An exploration of three-dimensional design principles as they relate to interior design. Topics include human factors, spatial theories, and form as well as model making, exhibition and display design, and other hands-on design development. ARTI 221 was formerly called ARTI 121; credit will not be granted for both courses. (2:1:0)

Prerequisite: Second-year standing in the Bachelor of Interior Design.

ARTI 232  (3)  Interior Design: Concept to Production I

An investigation of comprehensive interior design problems and further exploration of space planning issues in selected areas including residential and office. Projects involve detailed problem solving from concept development through presentation stage and into production (detailing done in ARTI 205). Emphasis on originality, communication, and technical skills. ARTI 232 was formerly called ARTI 227; credit will not be granted for both courses. (2:1:0)

Prerequisite: Second-year standing in the Bachelor of Interior Design.

Co-requisites: ARTI 205.

ARTI 240  (3)  Design Theory: Contemporary Issues I

An exploration of the role of the interior designer in society including social responsibility issues. Topics include changing environments in the workplace and special needs groups such as seniors and the disabled. Human factors and health and safety issues are highlighted. Includes critical analysis, field trips, and guest speakers. ARTI 240 was formerly called ARTI 229; credit will not be granted for both courses. (2:1:0)

Prerequisite: Second-year standing in the Bachelor of Interior Design.

ARTI 242  (3)  Interior Design: Concept to Production II

An investigation of advanced commercial interior design problems including retail, hospitality, and office. Topics include specialized requirements and thematic concepts. This course will follow the format of ARTI 232 with higher levels of expectation and complexity. Emphasis on originality and innovation, effective communication and clarity, and application of appropriate knowledge. ARTI 242 was formerly called ARTI 228; credit will not be granted for both courses. (2:1:0)

Prerequisite: Second-year standing in the Bachelor of Interior Design and ARTI 232.

ARTI 254  (3)  Illustration and Communication II

A continuation of ARTI 134. Topics include introducing marker and digital media through a series of exercises designed to show material surface, light and reflection, textures, and colour relative to interiors and related products. Specific perspective drawings are developed linking to specific interior design problems from ARTI 242. ARTI 254 was formerly called ARTI 252; credit will not be granted for both courses. (1:2:0)

Prerequisite: Second-year standing in the Bachelor of Interior Design.

Co-requisites: ARTI 242.

ARTI 305  (3)  AutoCad for Interior Designers

An introduction to AutoCad. Topics include tool palettes as well as file management, printing, and plotting methods. Students must be able to produce both presentations and technical style drawings including plan, elevation, section, and detail views with proficiency. (1:2:0)

Prerequisite: Third-year standing in the Bachelor of Interior Design or permission of the Department.

ARTI 309  (3)  History of Design I

A survey of the evolution of interior design, furniture, textile, craft designs, and the history of western art and architecture from ancient civilization to Baroque. Opportunity to link historical imagery to contemporary usage to create new meaningful design. Demonstration of application of knowledge through original studio design projects. ARTI 309 was formerly called ARTI 209; credit will not be granted for both courses. (2:1:0)

Prerequisite: Third-year standing in the Bachelor of Interior Design or permission of the Department.

ARTI 310  (3)  History of Design II

An examination of the history of modern interior and furniture design, architecture, product and industrial design and fine art from the 18th century to present day. Major studio and research project required to demonstrate application of knowledge. ARTI 310 was formerly called ARTI 210; credit will not be granted for both courses. (2:1:0)

Prerequisite: Third-year standing in the Bachelor of Interior Design or permission of the Department.

ARTI 329  (3)  Building Systems: Related Professions

A study of related professions and how interior designers coordinate within these fields. Topics include team building, documentation, and communication. Mechanical (HVAC, sprinklers, and plumbing); electrical including lighting, acoustics, and structural interfaces are explored. Residential, commercial, and institutional applications are covered. Includes field studies and guest lecturers. (1:2:0)

Prerequisite: Third-year standing in the Bachelor of Interior Design or permission of the Department.

ARTI 330  (3)  Design Theory: Contemporary Issues II

A continuation of the study of the designer's role in society. Topics include the designer as change agent and leader. Environmental issues and sustainable design practices are the focus of this course with global issues and international practice as included themes. Research and critical analysis approach continues. ARTI 330 was formerly called ARTI 230; credit will not be granted for both courses. (2:1:0)

Prerequisite: Third-year standing in the Bachelor of Interior Design or permission of the Department.

ARTI 342  (3)  Interior Design: Concept to Production III

An investigation of more advanced interior design problems including public spaces, institutional, and health care. The course structure follows ARTI 232 and ARTI 242 with greater depth and breadth of research expected. Projects involve detailed problem-solving from concept development through to the presentation stage and include partial contract documents. (2:1:0)

Prerequisite: Third-year standing in the Bachelor of Interior Design or permission of the Department.

ARTI 350  (9)  Summer Internship / Seminar (Effective Mar 2010)

A minimum of 240 hours of paid work experience at an approved firm or volunteer with an approved agency. Journals will be kept and a series of questions will be analyzed and reviewed periodically. A final seminar will be held to share and disseminate experiences. (0:3:0 —240)

Prerequisite: Successful completion of all other third-year courses of the Bachelor of Interior Design.

ARTI 356  (3)  Independent Study in Watercolour - I

Independent study. (0:3:0)

ARTI 357  (3)  Independent Study in Watercolour II

Independent study. (0:3:0)

ARTI 358  (3)  Independent Study in Watercolour III

Independent study. (0:3:0)

ARTI 359  (3)  Independent Study in Watercolour IV

Independent study. (0:3:0)

ARTI 405  (3)  Interior Design Detailing II

An advanced study of technical drawings. Topics include interior detailing, millwork, contract documents, and specifications coordinated to augment the Major Interior Design Project presentation and working drawings. CAD drafting will be utilized. Students may choose their platform, e.g., Vectorworks or Autocad. ARTI 405 was formerly called ARTI 208; credit will not be granted for both courses. (2:1:0)

Prerequisite: Fourth-year standing in the Bachelor of Interior Design.

Co-requisites: ARTI 442 and ARTI 454.

ARTI 429  (3)  Professional Practice for Interior Designers

A study of the business of interior design, types of practice, business forms, proposals, fees, budgeting, and working with other professionals. Topics include ethics and professionalism and the interior designer and the law. Case studies will be used for analysis and discussion. (2:1:0)

Prerequisite: Fourth-year standing in the Bachelor of Interior Design.

ARTI 432  (3)  Building Codes and Specifications

A detailed survey of the National and British Columbia Building Codes including Part 9 and Part 3 with emphasis on public safety issues relating to interior space. Topics also include classifications and master spec format. Assignments involve code analysis and preparation of specifications documents. (2:1:0)

Prerequisite: Fourth-year standing in the Bachelor of Interior Design.

ARTI 440  (3)  Major Project: Research Stage

An advanced study of an individually selected interior design project to be declared by students in consultation with faculty. Semester work entails research, concept development, and detailed documentation. Students will prepare a schematic list of works to be produced in order to fully describe their design solution in ARTI 442. (1:2:0)

Prerequisite: Fourth-year standing in the Bachelor of Interior Design.

ARTI 442  (6)  Major Project: Presentation and Working Drawings

A continuation of ARTI 440. Semester work includes production of presentation drawings and sample boards to bring final designs to fruition. Students will develop working drawings including floor and ceiling plans and interior elevations. Public presentation of final project is required. (1:2:0)

Prerequisite: ARTI 440.

Co-requisites: ARTI 405 and ARTI 454.

ARTI 454  (3)  Professional Presentation Skills

An advanced study of perspective drawings and other illustrative material associated with the Major Interior Design Project. Digital media is combined with traditional media. Final project includes production of personal design portfolio showcasing breadth of work, suitable for self-marketing. Communication, interview skills, and work place preparation featured. ARTI 454 was formerly called ARTI 253; credit will not be granted for both courses. (1:2:0)

Prerequisite: Fourth-year standing in the Bachelor of Interior Design.

ARTS 101  (3)  Drawing I

An exploration of black and white drawing processes from line drawing to more complex skills, including drawing from the undraped figure. (2:1:0)

Prerequisite: None.

ARTS 102  (3)  Drawing II

A continuation of ARTS 101, emphasizing composition and rendering of form with colour to show visual depth and expression. Further work with undraped figure drawing. (2:1:0)

Prerequisite: ARTS 101

ARTS 109  (3)  Intro to a Variety of Media

General techniques and processes involved with various media and material, emphasizing the development of an appreciation for common materials and their imaginative use in aesthetic expression. (2:1:0)

Prerequisite: None.

ARTS 111  (3)  History of Western Art I

An introductory survey of Western art and architecture from Prehistory to the Middle Ages. Artworks will be examined in their historical context, taking into consideration the dominant aesthetic and social concerns of each period. (3:0:0)

Prerequisite: Min. "C" in English 12.

ARTS 112  (3)  History of Western Art II

This course considers Western art and architecture from the Renaissance to the present day. The development of modern artists, styles, and techniques, along with the social role of art will be considered in this survey. (3:0:0)

Prerequisite: Min. "C" in English 12.

ARTS 120  (3)  Two-Dimensional Design

An introduction to the fundamental visual elements and organizing principles of two-dimensional design. Students become familiar with two-dimensional design techniques, tools and materials, and expand their visual awareness and creativity through a series of projects involving application of design theory. (2:1:0)

Prerequisite: None.

ARTS 121  (3)  Three-Dimensional Design

A continuation of ARTS 120, emphasizing creative, three-dimensional work. (2:1:0)

Prerequisite: None.

ARTS 201  (3)  Drawing III

Further development of the skills and techniques explored in ARTS 102, with increased emphasis on concepts and idea development. This course is intended for Visual Arts Diploma and BFA Transfer students and not required of Visual Arts Minor students. (2:1:0)

Prerequisite: ARTS 102.

ARTS 202  (3)  Drawing IV

A diversity of approaches to drawing as a form of contemporary art expression. This course is intended for Visual Arts Diploma and BFA Transfer students and not required of Visual Arts Minor students. (2:1:0)

Prerequisite: ARTS 201.

ARTS 204  (3)  History of Canadian Art

An introductory survey course exploring the artists, work, and issues that have informed Canadian art from its early origins to the present day. Representative examples from the broad spectrum of Canadian art will be examined in their historical, social, political, economic, and cultural contexts. ARTS 204 was formerly called ARTS 204T; credit will not be granted for both courses. (3:0:0)

Prerequisite: None.

ARTS 210  (3)  Study of Contemporary Art

A lecture/studio course designed to introduce studio students to the imagery, techniques and vocabulary of 20th century art. Course material will be presented from a practical art-making perspective and will include a study of art elements and media processes. (3:0:0)

Prerequisite: Min. "C" in English 12.

ARTS 211  (3)  Survey of European and American Art from 1800 to 1900

A study of 19th century European and North American paintings and sculpture. The major artistic movements will be considered in their historical context with a focus on the growth of art institutions and the visual experience of modernity. (3:0:0)

Prerequisite: Min. "C" in English 12.

ARTS 212  (3)  Survey of European and American Art From 1900 to the Present

A study of 20th century European and North American paintings and sculpture. The major artistic movements will be considered, and topics will include: studio practices, avant-gardism, the art market and the social role of art. (3:0:0)

Prerequisite: Min. "C" in English 12.

ARTS 240  (3)  Digital Art I

An application of digital processes to the visual arts. Includes production and manipulation of still and moving imagery. Students apply previously learned digital knowledge and skills to art media that may include photography, drawing, printmaking, painting or sculpture. Also uses traditional art practices as a source for digital based projects. (2:1:1)

Prerequisite: ARTS 120, ARTS 121 and DIGI 110

ARTS 244  (3)  Digital Photography I

An introduction to digital photography including knowledge and use of digital cameras, digital tools, equipment and vocabulary, scanning technology, and current image editing software with an emphasis on creative expression. History of photography and aesthetics unique to the digital environment will be examined. ARTS 244 was formerly called ARTS 375; credit will not be granted for both courses. (2:1:0)

Prerequisite: None.

ARTS 245  (3)  Digital Photography II

A continuation of techniques and concepts introduced in ARTS 244 with an emphasis on current digital camera operation, image editing software, and contemporary digital theory and practice. Aesthetics unique to the digital environment and personal imagery and expression will be explored. ARTS 245 was formerly called ARTS 376; credit will not be granted for both courses. (2:1:0)

Prerequisite: ARTS 244 or permission of instructor.

ARTS 254  (3)  Painting I

Basic skills of visual communication in the context of acrylic or oil painting, including a survey of materials and techniques. (2:1:0)

Prerequisite: ARTS 101 and ARTS 120.

ARTS 255  (3)  Painting II

A continuation of ARTS 254, exploring personal visual images within the context of various painting styles and methods. (2:1:0)

Prerequisite: ARTS 254.

ARTS 256  (3)  Beginning Watercolour Painting

An introduction to methods of developing watercolour paintings, formal elements, as well as painting technique. (2:1:0)

Prerequisite: ARTS 101, 102, 120.

ARTS 257  (3)  Watercolour Painting

A continuation of ARTS 256. (2:1:0)

Prerequisite: ARTS 256.

ARTS 264  (3)  Photography I

An introduction to the fundamental technical and aesthetic considerations involved in producing quality photographic images and prints. Emphasis on photographic history, camera operation, and various technical processes. (2:1:0)

Prerequisite: ARTS 101 and ARTS 120.

ARTS 265  (3)  Photography II

A continuation of ARTS 264. An expanded exploration of the elements involved in artistic photography with emphasis on increased creative awareness and technical proficiency. Selected technical processes and a variety of genres will be examined. (2:1:0)

Prerequisite: ARTS 264.

ARTS 271  (3)  Ceramics I

An introduction to basic processes of making pottery and other clay products: firing, glazing and decorating, stressing creative design, craftsmanship, aesthetic design, and function. (2:1:0)

Prerequisite: ARTS 121 or permission of instructor.

ARTS 272  (3)  Ceramics II

A continuation of ARTS 271. (2:1:0)

Prerequisite: ARTS 271.

ARTS 278  (3)  CERAMICS V: DEVELOPING A PERSONAL STYLE

Advanced study of materials and techniques employed in the making of pottery and other clay products, stressing design fundamentals, process/surface design, and working techniques as they relate to an individual's personal idea of expression and style. Lectures and studio work. (2:1:0)

ARTS 284  (3)  Sculpture I

An introduction to contemporary sculpture methods involving clay, plaster, wood and metals, stressing creativity, craftsmanship, and aesthetics. (3:1:0)

Prerequisite: ARTS 101, 102, 121.

ARTS 285  (3)  Sculpture II

A continuation of ARTS 284. (3:1:0)

Prerequisite: ARTS 284.

ARTS 293  (3)  Introduction to Silkscreen Printmaking

A practical investigation of basic silkscreening methods, techniques, and theories. Paper and photo stencil screenprinting methods are explored with an emphasis on personal imagery and creative expression. (3:1:0)

Prerequisite: ARTS 101, ARTS 102 and ARTS 121.

ARTS 294  (3)  Printmaking I

An investigation of intaglio printmaking processes and techniques. A study of the fundamentals of copper plate etching, multi-plate etching, colour printing, and editions. Topics include relief printing, photo-etching, book works, and experimental approaches to other print media, emphasizing personal, cultural, and collaborataive explorations. Surveys both historical and contemporary printmaking applications and theories. (3:1:0)

Prerequisite: ARTS 102 and ARTS 120.

ARTS 295  (3)  Printmaking II

A continuation of ARTS 294 focusing on multi-process printmaking utilizing non-toxic materials. Includes intaglio, relief and silkscreen explored in both historical and contemporary contexts. Both two- and three-dimensional approaches will be investigated in the development of a personal visual vocabulary. (3:1:0)

Prerequisite: ARTS 294.

ARTS 301  (3)  Advanced Drawing I

Grounded in traditional drawing skills, this course emphasizes contemporary drawing approaches. Explores concepts and working methods including undraped figure drawing, mixed media and collage to foster an expansion of personal visual vocabulary. Course is intended for Visual Arts Minor students and not required of VA Diploma and BFA Transfer students. (2:1:0)

Prerequisite: ARTS 101 and ARTS 120.

ARTS 302  (3)  Advanced Drawing II

A continuation of ARTS 301. The course is intended for Visual Arts Minor students and not required of Visual Arts Diploma and BFA Transfer students. (2:1:0)

Prerequisite: ARTS 301.

ARTS 303  (3)  Independent Study in Drawing I (Effective Mar 2010)

Directed study. (1:2:0)

Prerequisite: ARTS 101, 120, 301, and 302 or permission of the instructor.

ARTS 304  (3)  Independent Study in Drawing II (Effective Mar 2010)

Directed study. (1:2:0)

Prerequisite: ARTS 303 or permission of the instructor.

ARTS 305  (3)  Independent Study in Drawing III (Effective Mar 2010)

Directed study. (1:2:0)

Prerequisite: ARTS 304 or permission of the instructor.

ARTS 306  (3)  Independent Study in Drawing IV (Effective Mar 2010)

Directed study. (1:2:0)

Prerequisite: ARTS 305 or permission of the instructor.

ARTS 310  (3)  Cultural Studies in the Visual Arts

An examination of the influences on contemporary art making. Topics for this visual arts seminar/studio course include art styles and historical, religious, and cultural themes. Content will be studied from both an art historical and studio perspective. (2:1:0)

Prerequisite: ARTS 112.

Co-requisites: ARTS 254.

ARTS 312  (3)  Contemporary Art and Art Theory

A study of Western art and art theory since 1950. Influential artists and writers will be considered in relation to aesthetics, social and political history, and art institutions. Students will look at the role artists and art systems play in contemporary Western society. (3:0:0)

Prerequisite: ARTS 112

ARTS 318  (3)  History of Early Canadian Art

Early Canadian Art. (3:0:0)

ARTS 320  (3)  Independent Study in Design I (Effective Mar 2010)

Directed study. (1:2:0)

Prerequisite: ARTS 120 or ARTS 121 or permission of the instructor.

ARTS 321  (3)  Independent Study in Design II (Effective Mar 2010)

Directed study. (1:2:0)

Prerequisite: ARTS 320 or permission of the instructor.

ARTS 322  (3)  Independent Study in Design III (Effective Mar 2010)

Directed study. (1:2:0)

Prerequisite: ARTS 321 or permission of the instructor.

ARTS 323  (3)  Independent Study in Design IV (Effective Mar 2010)

Directed study. (1:2:0)

Prerequisite: ARTS 322 or permission of the instructor.

ARTS 330  (3)  Independent Study in Museology I (Effective Mar 2010)

Directed study. (1:2:0)

Prerequisite: ARTS 111, 112, and 210 or permission of the instructor.

ARTS 331  (3)  Independent Study in Museology II (Effective Mar 2010)

Directed study. (1:2:0)

Prerequisite: ARTS 330 or permission of the instructor.

ARTS 332  (3)  Independent Study in Museology III (Effective Mar 2010)

Directed study. (1:2:0)

Prerequisite: ARTS 331or permission of the instructor.

ARTS 333  (3)  Independent Study in Museology IV (Effective Mar 2010)

Directed study. (1:2:0)

Prerequisite: ARTS 332 or permission of the instructor.

ARTS 340  (3)  Digital Art II

An exploration of digital media in the visual arts, examining conceptual, theoretical, and technical concerns involved in the production of digital art. Students research and develop projects involving both still and moving digital content. Emphasis is placed on development of individual critical and creative capacities. (2:1:0)

Prerequisite: ARTS 240.

ARTS 344  (3)  Digital Photography III

An intermediate digital photography course concentrating on digital capture, image editing, and output with an emphasis on effective digital workflow. Personal and collaborative projects will explore conceptual, theoretical, and experimental approaches to digital photography from concept to presentation. (2:1:0)

Prerequisite: ARTS 245 or permission of instructor.

ARTS 345  (3)  Digital Photography IV

A continuation of ARTS 344 emphasizing increased mastery and creative application of digital photographic technology and image editing software. The focus of this intermediate digital photography course is on personal and collaborative production, culminating in a unified body of work emphasizing conceptual development and creative decision-making. (2:1:0)

Prerequisite: ARTS 344 or permission of instructor.

ARTS 350  (3)  Independent Study in Painting I (Effective Mar 2010)

Directed study. (1:2:0)

Prerequisite: ARTS 255 and 354 or permission of the instructor.

ARTS 351  (3)  Independent Study in Painting II (Effective Mar 2010)

Directed study. (1:2:0)

Prerequisite: ARTS 350 or permission of the instructor.

ARTS 352  (3)  Independent Study in Painting III (Effective Mar 2010)

Directed study. (1:2:0)

Prerequisite: ARTS 351 or permission of the instructor.

ARTS 353  (3)  Independent Study in Painting IV (Effective Mar 2010)

Directed study. (1:2:0)

Prerequisite: ARTS 352 or permission of the instructor.

ARTS 354  (3)  Painting III

An investigation of painting which introduces a multi-media approach. Students encouraged to investigate a variety of three-dimensional applications to painting, such as relief and built-out surfaces, and the incorporation of other materials, such as new mediums, found objects, and digital images into their work. Includes current topics and directions. (2:1:0)

Prerequisite: ARTS 254.

ARTS 355  (3)  Painting IV

An intermediate-level painting course where students will work to expand their concepts and imagery and begin building a personal approach to painting. (2:1:0)

Prerequisite: ARTS 255 or ARTS 354.

ARTS 356  (3)  Independent Study in Watercolours I (Effective Mar 2010)

Directed study. (0:3:0)

Prerequisite: ARTS 257 or permission of the instructor.

ARTS 357  (3)  Independent Study in Watercolours II (Effective Mar 2010)

Directed study. (0:3:0)

Prerequisite: ARTS 356 or permission of the instructor.

ARTS 358  (3)  Independent Study in Watercolours III (Effective Mar 2010)

Directed study. (0:3:0)

Prerequisite: ARTS 357 or permission of the instructor.

ARTS 359  (3)  Independent Study in Watercolours IV (Effective Mar 2010)

Directed study. (0:3:0)

Prerequisite: ARTS 358 or permission of the instructor.

ARTS 364  (3)  Photography III

A continuation of ARTS 265 with an emphasis on development of personal style based on a working knowledge of photographic history, criticism, processes, and technologies. Students examine theories of photographic image-making from both historical and contemporary perspectives. (2:1:0)

Prerequisite: ARTS 265.

ARTS 365  (3)  Photography IV

A continuation of ARTS 364 with greater emphasis on the critical examination and conceptual concerns of photographic image- making in both historical and contemporary contexts. Students utilize traditional, digital, and experimental image-making techniques to facilitate theoretical exploration. (2:1:0)

Prerequisite: ARTS 364.

ARTS 366  (3)  Independent Study in Photography I (Effective Mar 2010)

Directed study. (1:2:0)

Prerequisite: ARTS 245 or permission of the instructor.

ARTS 367  (3)  Independent Study in Photography II (Effective Mar 2010)

Directed study. (1:2:0)

Prerequisite: ARTS 366 or permission of the instructor.

ARTS 368  (3)  Independent Study in Photography III (Effective Mar 2010)

Directed study. (1:2:0)

Prerequisite: ARTS 367 or permission of the instructor.

ARTS 369  (3)  Independent Study in Photography IV (Effective Mar 2010)

Directed study. (1:3:0)

Prerequisite: ARTS 368 or permission of the instructor.

ARTS 370  (3)  Wood Fired Kiln

An advanced class that covers theory and practice in all phases of firing the Tozan Anagama wood kiln. Tasks performed include cutting the wood, loading, firing, unloading and cleaning the kiln. Note: This course is offered during intersession on a cost-recovery basis only. (2:1:0)

Prerequisite: ARTS 171 and 172.

ARTS 371  (3)  Independent Study in Ceramics I (Effective Mar 2010)

Directed study. (1:2:0)

Prerequisite: ARTS 271 and ARTS 272 or permission of the instructor.

ARTS 372  (3)  Independent Study in Ceramics II (Effective Mar 2010)

Directed study. (1:2:0)

Prerequisite: ARTS 371 or permission of the instructor.

ARTS 373  (3)  Independent Study in Ceramics III (Effective Mar 2010)

Directed study. (1:2:0)

Prerequisite: ARTS 372 or permission of the instructor.

ARTS 374  (3)  Independent Study in Ceramics IV (Effective Mar 2010)

Directed study. (1:2:0)

Prerequisite: ARTS 373 or permission of the instructor.

ARTS 377  (3)  Ceramics III

An advanced study designed to expose students to a "history in art" model. Students study four periods of ceramic history and create projects which reflect their understanding of those styles and periods. (2:1:0)

Prerequisite: ARTS 272.

ARTS 379  (3)  Ceramics IV

An advanced study of ceramic practices of professionals in this field of study. Students study processes and imagery and create projects that reflect their understanding of professional ceramic practice. (2:1:0)

Prerequisite: ARTS 377.

ARTS 380  (3)  Independent Study in Sculpture I (Effective Mar 2010)

Directed study. (1:2:0)

Prerequisite: ARTS 285 or permission of the instructor. Students completing the BA Minor in Visual Arts must complete ARTS 384.

ARTS 381  (3)  Independent Study in Sculpture II (Effective Mar 2010)

Directed study. (1:2:0)

Prerequisite: ARTS 380 or permission of the instructor.

ARTS 382  (3)  Independent Study in Sculpture III (Effective Mar 2010)

Directed study. (1:2:0)

Prerequisite: ARTS 381 or permission of the instructor.

ARTS 383  (3)  Independent Study in Sculpture IV (Effective Mar 2010)

Directed study. (1:2:0)

Prerequisite: ARTS 382 or permission of the instructor.

ARTS 384  (3)  Two- and Three- Dimensional Studies

A multi-disciplinary study which explores the integration of two- and three-dimensional media, processes, and theory. Topics include contemporary mixed media and conceptual and installation work. (2:1:0)

Prerequisite: ARTS 254.

Co-requisites: ARTS 310.

ARTS 390  (3)  Independent Study in Printmaking I (Effective Mar 2010)

Directed study. (1:0:0)

Prerequisite: ARTS 295 or permission of the instructor.

ARTS 391  (3)  Independent Study in Printmaking II

Directed study. (1:2:0)

Prerequisite: ARTS 390 or permission of the instructor.

ARTS 392  (3)  Independent Study in Printmaking III (Effective Mar 2010)

Directed study. (1:2:0)

Prerequisite: ARTS 391 or permission of the instructor.

ARTS 393  (3)  Independent Study in Printmaking IV (Effective Mar 2010)

Directed study. (1:2:0)

Prerequisite: ARTS 392 or permission of the instructor.

ARTS 430  (3)  Art Careers/Curatorial Practices

A broad overview of the knowledge and skills required to build a professional practice or work in art-related fields. Topics and projects involve the business of art, curatorial practices, grant proposal writing, marketing and promotion, and career opportunities. (2:1:0)

Prerequisite: Third-year standing or permission of the Department Chair.

ARTS 480  (3)  Directed Multimedia Studies I

A multimedia exploration of visual art media. This course allows students to combine the study of two or more media and include theoretical and critical writing. Students work under the direction of faculty members with expertise in the chosen media. (0:3:0)

Prerequisite: Permission of the instructor.

ARTS 481  (3)  Directed Multimedia Studies II

A continuation of ARTS 480. A multimedia exploration of visual art media. This course allows students to combine the study of two or more media and include theoretical and critical writing. Students work under the direction of faculty members with expertise in the chosen media. (0:3:0)

Prerequisite: ARTS 480.

ARTS 482  (3)  Directed Multimedia Studies III

A continuation of ARTS 481. A multimedia exploration of visual art media. This course allows students to combine the study of two or more media and include theoretical and critical writing. Students work under the direction of faculty members with expertise in the chosen media. (0:3:0)

Prerequisite: ARTS 481.

ARTS 483  (3)  Directed Multimedia Studies IV

A continuation of ARTS 482. A multimedia exploration of visual art media. This course allows students to combine the study of two or more media and include theoretical and critical writing. Students work under the direction of faculty members with expertise in the chosen media. (0:3:0)

Prerequisite: ARTS 482.

ARTS 484  (3)  Advanced Studio: Multi-Disciplinary

An advanced multi-disciplinary study in which students work to develop a body of work unique to their own personal vision. Curatorial work experience is a component of the course. (2:1:0)

Prerequisite: One of ARTS 302, ARTS 340, ARTS 355, ARTS 364, ARTS 375, or ARTS 384.

ARTS 486  (3)  Graduating Project

A culminating graduating project for students in four-year Visual Arts programs involving the creation of a body of studio work, written analysis, and mounting of the group exhibition and other career preparation skills. (2:1:0)

Prerequisite: All other required courses of the program.